Music

B. Cox and J. Owe look back at D’Angelo’s 1995 masterpiece debut Brown Sugar and its impact on “breaking the dam” for the neo soul sub-genre and making a name for himself in an R&B genre badly needing a fresh sound. Visit The Vault Classic Music Reviews Online www.vaultclassicpod.com Join […]

B. Cox & J. Owe take a look at 2 Pac’s breakout third album 1995’s Me Against The World, a portrait that painted a picture of a conflicted poet, revolutionary and artist that found himself at crossroads in a life that would be gone far too soon.  Visit The Vault […]

The crew takes a look at the highly anticipated 1999 debut album of Pharoahe Monch, Internal Affairs, on the cusp of it being made available digitally and otherwise for the first time on its 20th anniversary.  Visit The Vault Classic Music Reviews Online www.vaultclassicpod.com Join our Private Facebook Listener Group! https://www.facebook.com/groups/600256077743122 […]

B. Cox reviews Common’s classic sixth album Be as it turns 20. In light of the commercial failure and mixed critical reviews, Common found some common ground in aligning with fellow Chicago hip-hop royalty Kanye West and his GOOD Music imprint on Geffen Record. A former pupil of No. ID, […]

In a special bonus edition of Pop Culture Corner, B.Cox explores the dynamics of the many layers and styles of hip-hop and urban fashion in the 90s. After experiencing a very colorful and avant garde fashion sense in the 80s, the hip-hop and urban music scene in the 1990s was […]

In this bonus segment of Relics Of The Past, B. Cox looks back on a vital part of every hip-hop head’s car journey in the 90s and 2000s: the CD binder aka “The CD Book”. He explains the different types of books that existed, how each user would organize their […]

B. Cox is joined by Kahlil Wonda of the Reggae Lover Podcast (and Highlanda Sound System) to review dancehall deejay Super Cat’s major label debut album Don Dada as it turns 30. After mixing it up in Jamaica in the sound system scene and growing “dancehall” scene in the mid-to-late […]

In a new bonus episode segement Relics of the Past, B. Cox reminsces about what was the excitement of Record Release Tuesdays. From the late 1980s until 2015, the music industry designated Tuesdays as its Global Release Day; the day that new albums were released. He talks about the hype, […]

B. Cox reviews The Roots’ third studio album, 1996’s Illadelph Halflife. After a respectable success and notoriety from their sophomore offering Do You Want More?!!!???!, the hip-hop band and outfit from Philadelphia found themselves moving a little bit away from their live instrumentation 100 percent output and experimented with samples […]