Music

The crew revisits the revolutionary group Dead Prez’s 2000 debut Let’s Get Free and discuss its themes of Pan-Africanism, self empowerment, anti-establishment, holistic eating and knowledge of self that are still cautions to the ills of Black America a generation after its release.  Visit The Vault Classic Music Reviews Online […]

The crew discusses De La Soul’s historic 1989 debut 3 Feet High And Rising, its impact and how it shaped other projects released within the genre in the following year and years to come.  Visit The Vault Classic Music Reviews Online www.vaultclassicpod.com Join our Private Facebook Listener Group! https://www.facebook.com/groups/600256077743122 Support […]

In the long awaited premiere of Season 7, B. Cox kicks things off by going “Back To the Vault” and looking back 25 and 30 years to four original album reviews covered in the first season: 1994’s Notorious B.I.G.’s debut classic Ready to Die and Scarface’s classic third album The […]

In a special bonus edition of Pop Culture Corner, B.Cox explores the dynamics of the many layers and styles of hip-hop and urban fashion in the 90s. After experiencing a very colorful and avant garde fashion sense in the 80s, the hip-hop and urban music scene in the 1990s was […]

In this bonus segment of Relics Of The Past, B. Cox looks back on a vital part of every hip-hop head’s car journey in the 90s and 2000s: the CD binder aka “The CD Book”. He explains the different types of books that existed, how each user would organize their […]

B. Cox is joined by Kahlil Wonda of the Reggae Lover Podcast (and Highlanda Sound System) to review dancehall deejay Super Cat’s major label debut album Don Dada as it turns 30. After mixing it up in Jamaica in the sound system scene and growing “dancehall” scene in the mid-to-late […]

In a new bonus episode segement Relics of the Past, B. Cox reminsces about what was the excitement of Record Release Tuesdays. From the late 1980s until 2015, the music industry designated Tuesdays as its Global Release Day; the day that new albums were released. He talks about the hype, […]

B. Cox reviews The Roots’ third studio album, 1996’s Illadelph Halflife. After a respectable success and notoriety from their sophomore offering Do You Want More?!!!???!, the hip-hop band and outfit from Philadelphia found themselves moving a little bit away from their live instrumentation 100 percent output and experimented with samples […]

B. Cox looks back at NWA’s 2nd and final album Niggaz4Life (stylized as Efil4Zaggin). Dubbed “The World’s Most Dangerous Group” after their classic debut, the outfit entered their last LP minus their most prolific emcee Ice Cube and was poised to show the hip-hop world that they could do it […]