Top Shelf + Paul Bissonnette
‘Biz Nasty’ skates onto the show to talk playoff hockey and what it’s REALLY like in the steam room with Chuck. In honor of Charles’ newest grandchild, Inside the NBA […]
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The fight over public education, from Texas to the White House podcast
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Zig Ziglar: “What Happens Out There isn’t Nearly as Important as What Happens in Here.” podcast
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Deebo & Joe – Browns fall to Bears, Mahomes tears ACL, Bengals ELIMINATED! Steelers-Dolphins preview podcast
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Morning Maddhouse: Monday Maddhouse ReCap (12/15/25) podcast
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S E1301: In Class with Carr, Ep. 301: “Memory Takes The Field” podcast
When “Aida” premiered in Egypt in 1871, it delivered some not-so-subtle messaging in the dramatization of light-skinned Egyptians dominating dark-skinned Ethopians. Within two years, the man who commissioned “Aida,” Egypt’s Khedive Ishmael Pasha, lived out this fantasy of conquest, mobilizing the nation’s army with help from former American Confederate veterans..
In this episode of Every Voice with Terrance McKnight, our final installment on Giuseppe Verdi’s “Aida,” we’re joined by Limmie Pullman, Angela Brown, Raehann Bryce-Davis, and Sir Williard White to revel in the drama of this opera and consider to what extent life imitates art.
This episode is hosted by Terrance McKnight. The Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.
This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.
‘Biz Nasty’ skates onto the show to talk playoff hockey and what it’s REALLY like in the steam room with Chuck. In honor of Charles’ newest grandchild, Inside the NBA […]
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