Abdul-Aliy Muhammad – My Body Leads Me

One of my favourite quotes is from Civil Rights icon Bayard Rustin, who said the proof that one truly believes is in action — and there are few who embody Bayard’s words as wholly and unapologetically as Abdul-Aliy Muhammad (they/them). 

An organiser and activist born and raised in West Philadelphia, Abdul-Aliy has grown into a firebrand. Whether standing up for queer Black and brown communities in the face of systemic violence, or holding leaders in politics and at not-for-profits to account, Abdul-Aliy’s work is loud, considered and high-impact. 

Today we discuss the on-going impact of the 1985 bombing of the MOVE headquarters in West Philadelphia, the moments they were radicalised, what they learned about how people view those living with HIV, after they went on a medication strike as part of their organising action — and learning to trust when their body tells them what to do in defence of what’s right.

About Abdul-Aliy Muhammad

Abdul-Aliy Muhammad is a “Magical Black Queer”, organiser, activist, writer and poet based in Philadelphia. They are one of the co-founders of the Black and Brown Workers Co-operative, a labor organising cooperative fighting contemporary forms of subjugation and dehumanisation in workplaces, classrooms and communities by expanding democracy and agency.

About Busy Being Black

Busy Being Black is the podcast exploring how we live in the fullness of our queer Black lives. Thank you to our partners: UK Black Pride, BlackOut UK, The Tenth, Schools Out and to you the listeners. Remember this, your support doesn’t cost any money: retweets, ratings, reviews and shares all help so please keep the support coming. 

Thank you to our newest funding partner, myGwork – the LGBT+ business community.

Thank you to Lazarus Lynch – a queer Black musician and culinary mastermind based in New York City – for the triumphant and ancestral Busy Being Black theme music. The Busy Being Black theme music was mixed and mastered by Joshua Pleeter. Busy Being Black’s artwork was photographed by queer Black photographer and filmmaker Dwayne Black.

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